Pindad MV3 Garuda Limousine | AI Commercial Ads

Pindad MV3 Garuda Limousine | AI Commercial Ads

The Challenge

The Garuda Limousine project set out to communicate sovereignty without excess. The challenge was to introduce a national defense vehicle not as a display of power, but as a composed presence, one that reflects leadership, protection, and responsibility. The film needed to balance technological advancement with cultural depth, presenting strength through restraint while speaking to a contemporary, global visual language.

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Our Goals

Our goal was to position the Pindad MV3 Garuda Limousine as more than an engineered machine. We aimed to merge Indonesia’s cultural heritage, PINDAD’s precision engineering, and the country’s living landscapes into a single cinematic narrative. By grounding the vehicle within real Indonesian terrain, the project sought to portray it as a product shaped by its land. Designed for its realities, values, and future.

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The Creative Approach

This ads was developed through AI-driven visual storytelling inspired by the symbolic essence of wayang. Rather than relying on spectacle, the creative direction emphasized presence. Allowing form, movement, and environment to speak quietly but decisively. Tradition and technology were interwoven into one visual language, where progress moves forward without abandoning its origins, and modern sovereignty is expressed through continuity, not disruption.

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Team Behind the Lens

This recognition stands as a reflection of human collaboration, guided by curiosity and a shared dedication to cinematic storytelling. While generative AI supported the process, it was human perspective and intention that defined the direction, tone, and emotional weight of the video. Producer : Khanif Irkham Muzaki Creative Producer : Fikri Naufal Creative Director : Agge Merah Generative Visual : Jessica Ariel Editor : Jessica Ariel Through collective vision and careful authorship, the team brought this ambitious project to life. Eensuring every frame reflects Xinemind’s belief that cinema is, at its core, a human language, thoughtfully expanded through technology.

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