Story lock
Director-led story development. Treatment, beats, characters, visual references. Locked before any production.
/ Service
Story. Emotion. Long-form work that lasts beyond the campaign cycle.
Cinematic shorts are 3–15 minute narrative films — branded shorts, docu-style work, or original IP — crafted by filmmakers using AI as a production accelerator rather than a creative shortcut. Story leads. Cinematography, performance, and edit dictate the shape; AI handles environments, world-building, and effects that would be impossible at the budget.
This is the work that wins festivals, opens awards juries, and becomes the brand film a CMO references for years. We approach every short with a director, a DP, and a cinematographer-grade colorist — the same craftsmanship a traditional 8-week production would carry, paired with the speed and scope of AI-extended pipelines.
For brands, cinematic shorts work as proof-of-concept films, founder stories, manifesto pieces, and documentary work that establishes positioning. For original IP, they function as pilot films, pitch reels, and standalone festival entries.
/ What you get
/ Facts
/ Process
Director-led story development. Treatment, beats, characters, visual references. Locked before any production.
AI-aware shot list, look development, casting, location scout. AI used here for fast pre-vis + concept iteration.
Compact shoot days for live performance + plates. AI generation runs in parallel for environments + VFX.
Edit, grade, sound design, score. Festival-grade finishing. AI-assisted only where it raises the craft, never replaces it.
/ Where this fits
Manifesto pieces, founder stories, anniversary films. The work that lives on the website beyond the campaign cycle.
Original short film with festival ambition. We package press kit + festival distribution support.
Series pitches, IP development, proof-of-concept cinematic teasers for streamers.
/ FAQ
Both. Roughly half our cinematic short work is brand-commissioned, half is original IP we develop with directors and producers as production partner.
We support submissions — preparing DCP / ProRes masters, press kits, and platform-spec exports for major festivals. Submission strategy itself is usually handled by the rights holder or distributor.
AI is used for things that would otherwise be impossible at the budget — environments, world-building, VFX. Performance, cinematography, edit, sound, and grade remain human-led. The audience should not be able to tell where AI ends; the film should just feel cinematic.
/ Other services